The remnant Complex of Klungkung Kingdom

Hello Traveler! Hope you have a wonderful day. Great day for tell about experience during holiday in Bali. Besides the marvelous beaches and the beautiful scenery of panorama, Bali has many attraction or tourist destination. For the nature Bali has one of the best in the world and for the accommodation as many type and has the unique thing also. The combination of the luxury accommodation and the marvelous nature is making the tourist come and enjoy stay and spend holiday in Bali. Today I would like to inform you one of the remnant of klungkung kingdom. well, here it is!

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Kerta Gosa is founded in 18 century and it has a lot of changed in 20 century. These building have been renovated after earthquake that brought much destroy in year 1971. The most unique of this building is the ceiling made from the asbestos material fully decorated by the traditional painting with Kamasan style famous in 1930. Thirty years later in 1960, Pan Semaris Putra from Pan Seken has restored and renewed according to the original style.

During the Dutch colonization (1908 – 1942), Kerta Gosa is still used as a court to persecute the violators especially criminal. In line with the colonial administration, the Indonesian Law has changed from the legal system Majapahit heritage (Traditional) into the continental law system which is brought by the Dutch. The changes of the system are not means to retaliation, but improve the perpetrator to be accepted back into their society. By this concept, the word of Penjara (Jail) has changed into Lembaga Pemasyarakatan

The ceiling of Taman Gili Building that is fully decorated by the traditional painting to persuade the violators to not repeat the offense (recidivism) because the Hindu society in Bali have heard the story of Bima Swarga that has been visualized on this building. Realized and believed, beside of the prison sentence they got, it has been waiting for the punishment of the hereafter is more terrible and feared in form of fire prosecution by Cikabakala. Hopefully, after the seeing these visuals, the violators realize against the crime resulted in suffering, hence it can prevent the recidivism

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Structure Kerta Gosa Building

Kerta Gosa consists of two buildings (bale), namely akerta Gosa Bale and Bale Kambang. Bale Kambang called because the building is surrounded by a pond that is Gili Park. The uniqueness Kerta Gosa with Bale Kambang this is surface on the ceiling or roof bale is decorated with traditional painting style of Kamasan (a village in Klungkung) or style of puppet that is very popular in the community Bali. Initially, the paintings that decorate the ceiling are made of cloth and parba. New since 1930 is replaced and created at the top of the plasterboard direstorasi ago according to the original image is still intact and up to now. Cultural heritage as Kingdom Semarapura, Gosa and Kerta Bale Kambang enabled to judge the matter and the religious ceremony that is especially yadnya cut teeth (mepandes) like children king.

 

Function Kerta Gosa

Function of the two buildings is closely related to the function of education through the paintings that were presented at the puppet ceiling buildings. The paintings are a series of stories that take on the key themes, namely Swargarokanaparwa and parwa Bima Swarga a guide punishment Karma Phala (result of the good-bad deeds performed during a human lifetime) and the re-incarnation into the world because of the deeds and sin – sin. Because no one said that if the psychological, theme paintings decorate the ceiling Kerta Gosa building load values education mental and spiritual. Painting is divided into a row of six terraced.

Story of Painting at Kerta Gosa Building

Bottom row illustrates the themes derived from Tantri Story. Suite second from the bottom illustrates the theme of the story. Bimaswarga in Swargarakanaparwa. Catenarian next theme Bagawan Kasyapa story. Fourth row to take a theme that is characteristic Palalindon or meaning and the meaning of the occurrence of earthquakes in mythologist. Continuation of the story is taken from the theme Bimaswarga painted on the fifth row that is located almost on the cone-shaped roof building. In the last row or the sixth place by a description of the life of Nirwana. In addition to the building ceiling Kerta Gosa, puppet paintings also decorate the ceiling in the west that is Kerta Gosa Bale Kambang. On the palate this painting Bale Kambang puppet who comes to take the themes from the story of Kakawin Ramayana and Sutasoma.

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